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	<title>Comments on: Theatre school in the age of compliance</title>
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	<link>http://theatreisterritory.com/2008/02/theatre-school-in-the-age-of-compliance/</link>
	<description>Performance. Production. Theory.</description>
	<pubDate>Fri, 18 May 2012 17:23:22 +0000</pubDate>
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		<title>By: mike</title>
		<link>http://theatreisterritory.com/2008/02/theatre-school-in-the-age-of-compliance/comment-page-1/#comment-484</link>
		<dc:creator>mike</dc:creator>
		<pubDate>Fri, 15 Feb 2008 15:48:00 +0000</pubDate>
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		<description>umm, taking back 1/2 of my last comment, the russia part.  i was thinking about it, and they work on a rep model that circulates different company members in big and small parts depending on the production.  once a show is up and running, they may only do it once or twice a month.  anyhow the whole thing is so apples and oranges from what's going on in north america that it really doesn't apply here.</description>
		<content:encoded><![CDATA[<p>umm, taking back 1/2 of my last comment, the russia part.  i was thinking about it, and they work on a rep model that circulates different company members in big and small parts depending on the production.  once a show is up and running, they may only do it once or twice a month.  anyhow the whole thing is so apples and oranges from what&#8217;s going on in north america that it really doesn&#8217;t apply here.</p>
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		<title>By: mike</title>
		<link>http://theatreisterritory.com/2008/02/theatre-school-in-the-age-of-compliance/comment-page-1/#comment-483</link>
		<dc:creator>mike</dc:creator>
		<pubDate>Thu, 14 Feb 2008 20:49:00 +0000</pubDate>
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		<description>yeah, i agree.  this is pretty darn good. you can make your own work or hope against hope that your # comes up.  so many training programs hide that fact and it's really reprehensible. &lt;br/&gt;&lt;br/&gt;1 thing scott- and this is really just me picking up on the 1% of what you wrote that i don't agree with -  i'm not sure the 80% rate of actor unemployment is a result of directors wanting choice.  &lt;br/&gt;&lt;br/&gt;is it not simply there are way more artists (directors included) than funding, venues and audience to keep them working?  every night in moscow there are 100 plays going on and those guys are still super picky over who they cast.</description>
		<content:encoded><![CDATA[<p>yeah, i agree.  this is pretty darn good. you can make your own work or hope against hope that your # comes up.  so many training programs hide that fact and it&#8217;s really reprehensible. </p>
<p>1 thing scott- and this is really just me picking up on the 1% of what you wrote that i don&#8217;t agree with -  i&#8217;m not sure the 80% rate of actor unemployment is a result of directors wanting choice.  </p>
<p>is it not simply there are way more artists (directors included) than funding, venues and audience to keep them working?  every night in moscow there are 100 plays going on and those guys are still super picky over who they cast.</p>
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		<title>By: Alison</title>
		<link>http://theatreisterritory.com/2008/02/theatre-school-in-the-age-of-compliance/comment-page-1/#comment-482</link>
		<dc:creator>Alison</dc:creator>
		<pubDate>Thu, 14 Feb 2008 20:35:00 +0000</pubDate>
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		<description>Anyone who is teaching anyone anything should read this. Excellent.</description>
		<content:encoded><![CDATA[<p>Anyone who is teaching anyone anything should read this. Excellent.</p>
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